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This is an installation that situates the spectator in between a high tide and a low tide, as well as between a sunrise and a sunset, by using a moveable wall that reinforces the idea of landscape and 4 paintings situated in the cardinal points of it. Two of them are almost invisible lines on a cleaning tissue and the other two are images painted in obsolete photographic marquees (a slide and an instant photography).

Group show / Best practices at Edgewood College gallery, curated by Evan Gruzis 
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Bogotá––Chicago