Last update, April 13, 2021
Project
2018—September > November
Based on the homonym short poem of Emily Dickinson, from the book The Gorgeous Nothings: Envelope Poems, this project is a visual version on behalf of silence or the aura of everydayness. It is also a look at a 90's color palette, an awkward look at middle-class interiors, the journey of an artist in a small space, a metaphor for cooking, a timeline, the invisible presence of a body, a light experiment and, mainly, a state of mind, a push and pulls between the materiality and the immateriality of thought.

SAIC

Instagram, vimeo
Bogotá––Chicago