Last update, October 12, 2021
Unperfect Lovers
Project (in progress)
2021—January > Present

This series of couple-paintings alludes to affective relationships and their possible synchronicities or disagreements. Their format and the process itself, which is an expressive drift without a preconceived image that then, little by little, transform into a quiet image, acts as a mirror or a metaphor for these human bonds. The complete project will include between 12 and 15 diptychs along with a book containing poems by Colombian writers inspired by the paintings, as well as a fictional text made out of love letters and other written material. The title refers to the work of Felix González-Torres Perfect Lovers consisting in two clocks that mark the same time. In this case, the works question that idealistic idea of love and aim to think of connections that, on the contrary, are based on differences.

Artbo 2021 / Upcoming exhibition soon 

Project
2018—September > November
Based on the homonym short poem of Emily Dickinson, from the book The Gorgeous Nothings: Envelope Poems, this project is a visual version on behalf of silence or the aura of everydayness. It is also a look at a 90's color palette, an awkward look at middle-class interiors, the journey of an artist in a small space, a metaphor for cooking, a timeline, the invisible presence of a body, a light experiment and, mainly, a state of mind, a push and pulls between the materiality and the immateriality of thought.

SAIC

Project
2018—August
This project takes its title from a personal anecdote around a travel to Uyuni, a small town in south Bolivia, which is the point of entrance to a natural park that includes the largest salt desert of the world, as well as other particular landscape sights: red lagoons, an island of cactuses, sand dunes, gigantic plains and rocks in form of trees. The dilemma, or thought experiment, in this case, has to do with the impossibility to recreate a specific moment from that trip, let’s call it a sublime moment, and try to record the whole experience in my brain. Now I wonder, is it possible to address a memory just by thinking of it, or by thinking in similar memories? Can that memory can be as powerful as the original experience? Can it be better, different, worst, more unique? Can those questions be transformed into visual problems for an audience that doesn’t have anything to do with that story or context?

Within Receding Horizons, Sullivan galleries (SAIC)

Project
2017—August
The title of this project refers to the Greek origin of the word horoscope, which is the person who contemplates time. The horoscope interests me not only because it is a manifestation of various themes that have been present throughout my work, such as destiny and time, but also because of its direct relationship with literature and the formulas of writing. It is also a traditional graphic piece that has appeared in the press since the beginning of modernity and a reflection on how we, as human beings, construct our thinking. On the one hand, based on beliefs and ideologies, which is the result of a passionate and emotional living, and on the other, thanks to an analytical and rational capacity. From these thoughts and ideas, as well as a collection of all the horoscopes of the Taurus sign (2009), I did three works: 365 days (a painting), 12 months (a series of photographs of writers accompanied by manuscripts drawn in pencil) and 52 weeks (a video with subtitles made out of the horoscope). Each one of these works corresponds to a different analysis of writing and its mental process. The backdrop, or what I like to imagine, is that behind all of this is the monotonous and melancholic life of a "ghostwriter".

“Articulé, no sin un temblor” / Duo show with Daniela Serna, Lokkus Gallery / Curator: Erika Martínez Cuervo 
+ Call 20 / Luis Adelantado Gallery
+ Grey Cube Projects

Project
2016—September
This project takes a close look at the imperfections and minuscule grain texture spots found on 90g sheets of recycled paper. Then I imagine that those little dots came from previously discarded print material such as a ticket, a medicine box, a magazine, a letter, a paper package, a postcard, etc. And then, that those elements were part of the life of different characters, creating a narrative circle connected through paper. The 3 floors exhibition comments on artisanal methods of paper production, standardized sizing processes, cyclical and repetitive narratives, and the continuous transformation of matter.

Solo exhibition at Sketch gallery 

Instagram, vimeo
Bogotá––Chicago